Consequently, today’s 120 rolls are too big to fit into a camera designed for 620 film. 620 is basically 120 film spooled onto a narrower spindle with smaller end flanges. One thing you should be aware of: Kodak’s ill-fated (to my mind) experiment with 620 film. Consequently, all of my vintage photography is done with cameras using 120 roll film. Despite the superb images possible with large format (4×5 and larger), I have avoided formats larger than 120 because of the difficulty and expense inherent in getting large format sheet film developed, scanned and printed. Although 35mm is also a common format in the vintage camera market, I have elected to work exclusively with medium format cameras using 120 film because of the higher image quality inherent in the larger negative. Fortunately, 120 film was in use as early as 1901, and many fine cameras are available that use this film size. Consequently, many cameras from 1910-1930 are unusable without modification because film is no longer available. Over the years, the majority of these formats have been eliminated, and roll film is presently available primarily in 35mm and 120 sizes, together with 4×5, 5×7, and 8×10 sheet film. Over the last 100 years, Kodak has produced roll film in a multiplicity of formats from the tiny disc and 110 sizes through 35mm up to 7×5 inch “Postcard” widths ().

Photography lovers are fascinated by classic cameras and how they used to function, in fact, there are blog posts such as that can provide a quick overview of what they started out as to what we have now. A number of cameras manufactured between 19 are eminently suitable for high-quality fine art photography, while many more are, for one reason or other, best left as bookshelf decorations.

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